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Here Colin gives a run down of his personal experiences on Cerro Torre, and his opinion on the botling and de-bolting of the infamous Compressor Route.
He keeps a blog called Skagit Alpinism, and it is from that blog that we reproduce this article on UKC.
You can also read the UKC Report on Cerro Torre, the bolts, and David Lama's free ascent.
You can also read the UKC Report on Cerro Torre, the bolts, and David Lama's free ascent.
The Removal of Cesare Maestri's Bolt Ladders on Cerro Torre
by Colin Haley
A couple weeks ago, climbers Hayden Kennedy and Jason Kruk completed the first "fair means" ascent of the southeast ridge of Cerro Torre (UKC News), and on their descent successfully removed a large portion of the bolt ladders installed there in 1971 by Cesare Maestri.
This has sparked a large debate within the global climbing community, as to whether it was a wise action, and if Kennedy and Kruk had the right to make it. I would personally love to stay un-involved in this debate, but having climbed in the Fitz Roy range for eight seasons, having descended the southeast ridge of Cerro Torre twice, and having attempted the southeast ridge of Cerro Torre twice by "fair means," I feel it is my obligation to share my thoughts. I will try to break this long-winded essay into separate, more managable subjects, starting with my personal history with Cerro Torre.
WHAT ABOUT RESPECT FOR CESARE MAESTRI?
Several people have been calling for more respect to be paid to Cesare Maestri, who is now in his old age and of failing health. Sorry to be brutally honest, but I simply don't have respect for liars. Maestri told the biggest lie in the history of climbing for the gain of his own reputation. Alpine climbing often relies on the honor system, and unfortunately people like Maestri ruin the system of honesty for all of us. Dishonesty goes beyond the simple game of besting one's competition - consider for a moment that Maestri's drive to be labeled the winner was so great that he didn't even have the decency to tell Toni Egger's mother and sister the true circumstances of how Toni died in the mountains.
The fact that Maestri also vengefully showed the world the most heavy-handed climbing style it has ever seen - the epitome of the "murder of the impossible" - doesn't help him gain respect.
If Maestri were to come clean in his old age, and tell the world what actually happened during his 1959 Cerro Torre attempt, it would probably require more courage than any climb ever demanded of him. If Maestri could do that, I could respect him.
WHAT ABOUT RESPECT FOR THE STYLE OF THE FIRST ASCENT?
Many people have been bringing up the very valid point that generally in climbing we respect the style of the first ascent of a route. However, people have been neglecting to keep in mind that Maestri did not make the first ascent of the southeast ridge of Cerro Torre. In climbing mountains, especially such sharp needles as in the Fitz Roy range, a successful ascent ends on the top of the mountain. Not only did Maestri not manage to reach the summit of Cerro Torre, but most evidence suggests that he did not even reach the top of the headwall (Jim Bridwell was the first to note this). Therefore, if you want to ask the first ascensionists their opinions about what should become of the southeast ridge of Cerro Torre, you will have to consult Jim Bridwell and Steve Brewer.
Some people will inevitably say that even though Maestri didn't climb Cerro Torre, the style up to his high-point ought to be respected. By that same logic, Maestri would have been violating the style of Fonrouge, Boysen, Burke, Crew and Haston, who climbed half-way up Cerro Torre's southeast ridge in 1968 without placing any bolts. By the time Maestri had reached the same level on the mountain as their highpoint he had already placed hundreds of bolts.
THE COMPRESSOR ROUTE IS AN OUTLIER
Obviously the concept of "fair means" is very subjective. What one person considers only "necessary" bolts can vary dramatically from what another person considers "necessary" bolts. However, the Compressor Route bolt ladders are far, far, beyond anyone's definition of "necessary" bolts. Even Kurt Albert's routes on nearby Fitz Roy, Aguja Mermoz and Aguja St. Exupery (which have bolted belays every 35 meters or less, and include at least 3 bolts per pitch, immediately next to perfect cracks) are not even in the same realm of over-bolting that the compressor route is. There were some spots on the Compressor Route where a climber clipped to one bolt with a daisy chain could easily touch more than ten other bolts.
How did Maestri put up a climb that was so far beyond anything else in terms of bolting? The answer is that he used tactics that have never been used by another climber before or since. A gasoline-powered air compressor is not climbing equipment - it is industrial equipment. With his compressor Maestri could place a bolt more easily than he could place a chock or piton, so of course bolt-ladders up blank rock, even with crack systems immediately nearby, were suddenly a logical solution for him. Maestri explained that he put a single bolt ladder up the entire 5-pitch headwall because they had forgotten the pitons down below. How does one arrive to 5 pitches below Cerro Torre's summit and only there realize that the pitons were left far below? - only with a gasoline-powered air compressor.
Many people have been comparing the Compressor Route to The Nose on El Capitan. I think that most of these people must not have seen both routes in person. If the Compressor Route were established with the same bolting discretion as Warren Harding used on The Nose, it would have something like 50 bolts on it. On the other hand, if The Nose were established with the same bolting discretion as Maestri used on the Compressor Route, it would have more than 2,000 bolts on it.
I am not extremely anti-bolt. Even Kurt Albert's bolts on the east pillar of Aguja Mermoz (a route which was climbed 90% of the way to the summit without a single bolt, in a single day, before Albert layed siege to it), which go beyond all normal conventions of acceptable bolt use, do not bother me anywhere close to as much as Maestri's bolt ladders on Cerro Torre. I really think it is such a sad shame that the most beautiful mountain on earth (in my opinion), which naturally requires fantastic and difficult climbing to reach its summit, is marred by a via ferrata (And yes, it is a "via ferrata," even if much more difficult than most via ferrata - after all, "via ferrata" means "iron way.").
Colin Haley soloing the Exocet Chimney, Cerro Standhart, Patagonia
UKC Articles, Feb 2012
© Jon Griffith / Alpine Exposures
ADVENTURE VS. TOURISM
As in any discussion regarding bolts that some people consider unnecessary, some people have asked why Hayden and Jason didn't just leave the bolts in, and future climbers could always opt to simply not clip them. However, as long as the bolts ladders are there, future climbers are denied an adventure, because the mere presence of the bolts changes one's experience dramatically. With the bolt ladders removed, a climber ventures upward with doubts and fears, constantly trying to gauge where the next protection will be and where the route will go, and climbs with commitment - knowing that a poor route-finding choice might place him or her in a bad situation. With the bolt ladders in place, the knowledge that you can immediately end your fear and doubt at any moment removes the commitment completely. With the bolt ladders in place, the climber is denied the experience of moving fearfully into the unknown, and the elation that comes from finding a good crack or good holds for security. With the bolt ladders in place there is no real adventure; choosing to not clip the bolts can only amount to a contrived game. I certainly am much more inspired to go attempt Cerro Torre's headwall now, as a canvas of natural rock, than I ever was before to go play a contrived game of bolt-skipping.
Thus, climbing for adventure on the southeast ridge of Cerro Torre, and climbing for tourism on the southeast ridge, are completely at odds with each other. As long as Maestri's bolt ladders are in place, one cannot climb for adventure on the southeast ridge, and with the bolts removed, the tourists are denied their easy route to the summit. It really comes down to a question of which you value more, adventure or tourism? I think we can all agree that the currently-popular phrase "adventure tourism" is oxymoronic.
I'm sure that many people will be offended that I refer to the Compressor Route as "tourism," and I'm sorry about that. Ultimately, I think it more important to be honest and potentially offensive than speak tactfully and untruthfully. Quite simply, the Compressor Route is an avenue to "tick" the summit of Cerro Torre without actually engaging the difficulties of the mountain - completely analogous to climbing Everest with supplemental oxygen.
THESE ELITISTS HAVE DENIED MY RIGHT TO EASILY ASCEND THE SOUTHEAST RIDGE OF CERRO TORRE!
Many people have called Hayden and Jason elitist, because they are forcing future climbers on the southeast ridge to rise to their climbing level, removing the via ferrata which allowed access to climbers who didn't actually posses the skill to climb Cerro Torre's southeast ridge. What then about the poor unfortunate souls who are denied their "right" to summit Torre Egger? What if I went to Patagonia next year and installed a 1,200m bolt ladder up the east pillar of Torre Egger, making it accessible to all the 5.8 climbers who are currently denied their Torre Egger experience?
It is ridiculous to attempt to choose an arbitrary difficulty-level that a route should be dumbed-down to. Here's a concept: just leave the difficulty level as it was naturally!
History is not a physical object. You cannot destroy history unless you are able to burn every book, destroy every hard-drive and erase everyone's memory. At most one can claim that a monument has been destroyed, but history remains unharmed. Maestri showed us the worst example of heavy-handed climbing style that a mountain has ever experienced - it is not something that people will forget. Also, Maestri's air compressor remains lashed to the middle of Cerro Torre's headwall - as long as it remains it will be unmistakable physical evidence of what Maestri did to Cerro Torre (although personally I would rather see it removed).
BETTER LATE THAN NEVER
Of course it would have been much better if Maestri's bolt ladders were removed the year after their installation rather than 40 years after the fact. If that were the case, no one would call them "history" or "Argentine patrimony." However, I think that when the bolt ladders were installed, most of the world wasn't aware of the extent of the bolting. In addition, Maestri's siege on the southeast ridge used 1,000 meters of fixed rope and nine months, so it took a long time before people realized that the bolt ladders could be easily removed in a single day.
For the 40 years that Maestri's bolt ladders were in place, Cerro Torre was a compromised mountain. Very impressive routes that joined the Compressor Route at the headwall, such as Devil's Directissima and Quinque Anni ad Paradisum, will unfortunately always be tarnished by the fact that they ascended the last five pitches of Cerro Torre on a ladder of bolts. This is not the fault of the first ascensionists (Jeglic, Karo, Knez, Podgornik, Kozjek, Fistravek, Salvaterra, Beltrami, and Rossetti - many of the biggest names in Cerro Torre history), because, as I already explained, skipping the bolts immediately in front of you is a contrived game that most alpinists are not interested in. Both of these routes climbed an enormous amount of very difficult climbing to reach the base of the headwall, but the last five pitches of Cerro Torre were stolen from them by Maestri.
The removal of Maestri's bolt ladders was inevitable. If it hadn't been done by Hayden and Jason, it would have been done before too long by someone else. There were other climbers in El Chalten this season who had specific plans to remove Maestri's bolt ladders - and no, it wasn't me or Rolo, but some very strong and accomplished alpinists from Europe.
Colin Haley, one of the world's leading alpinists, romping up Pinnochio on the Mont Blanc du Tacul, France
UKC Articles, Feb 2012
© Jon Griffith / Alpine Exposures
HYPOCRISY OF USING SOME OF MAESTRI'S BOLTS
Some people have told me that anyone who has ever used Maestri's bolts (such as Garibotti, Cordes and myself rappelling from them) cannot support the removal of the bolts without hypocrisy. I think it is almost exactly the opposite in fact - I think that people who have seen Maestri's bolt ladders in person generally have a much better understanding of their physical context than people who have only read about them or seen photos.
Others have criticized Hayden and Jason for using and leaving in place some of Maestri's belay/rappel stations. They did this as a compromise to appease you. If you think that is hypocritical, then feel free to go remove them. There is plentiful natural gear available, and climbing or rappelling the southeast ridge will not be compromised if you remove every last one of Maestri's bolts.
As I said at first, I would personally prefer to stay far away from this controversy. However, I feel that Hayden and Jason have done a great service to the global community of Patagonian alpinists, and it saddens me to see them receive so much criticism for what I consider an altruistic act. Many of the people who agree with the bolt removal are staying quiet simply to stay out of drama (and in fact, some people who have previously expressed their wish for the bolt ladders to be removed, are now back-pedaling in the face of controversy), but I see it as my obligation to speak out in support of them.
I'm sure that many people, particularly on internet forums, will criticize me for writing this essay. Please remain civil. Just because you disagree with my opinion doesn't mean you need to hate me or denigrate me personally. I won't criticize you for lamenting the bolt removal. Everyone is entitled to his or her opinion.
UKC would like to say a huge thank you to Colin for his permission to reproduce this article on UKClimbing.com and also a huge thank you to Jon Griffith of Alpine Exposures for his stunning photography that accompanies this piece.