In reply to Jon Stewart:
> You may need to appreciate when you're talking from a privileged perspective.
Well, I was certainly privileged with my education/ university etc, but the latter (philosophy) had virtually no relevance to my career.
> I used to do a job that I hated and which made me depressed. 'Staring into oblivion' depressed. I got the chance (literally chance, as in luck) to retrain to do something that I believe in more - something sensible and practical. I'm currently struggling through the very shittest bit of the transition between careers and it is not at all fun, and there are some pretty big things that I do not like at all about my new job, but it has many more advantages to the previous one, a lot more scope (e.g. for self-employment) and flexibility and control over my life.
> I'm very lucky to be able to make that change. Not everyone has skills, money, good fortune, talent, whatever might be required to get oneself in a place getting paid for doing something they enjoy. Many people can do something tolerable for OK money. Some people do something they hate for shit money, but they don't have the skills, money, freedom, circumstances etc to change that. Some people have no interests, have lost their friends and find their home life oppressive; they look forward to getting drunk on their own. Not everyone is having a great time here on earth, or here in UK society, and in many ways it just depends what you get dealt out at the start.
I left film school with no money, and really did live off oranges and muesli for about 18 months! The problem was that getting into the film industry was then very difficult - partly because of the closed shop ACTT union. It took me 4 years to get my union ticket, and I did that by starting at the very bottom, as it were, doing odd jobs of just 2 or 3 days with freelance editors who desperately needed an assistant at very short notice e.g. within an hour or two! I then got a week's job with an Egyptian guy doing commercials for Egyptian television. He seemed to regard me as a genius
Then, after a few more jobs, I suddenly got offered a full time assistant's job with a freelance editor cutting 'specials' for BBC Panorama. Then Thames Television with Jonathan Dimbleby. Then, suddenly, after 7 years, a phone call from 'Hawk Films' at Elstree Studios.
Five years later, at a moment of very few films being made in the UK (but it's a more complicated story than that) I was out of work again, and had to start a new career ... in industrial, portrait and wedding photography (that I mostly hated) Then I got a big break to do my first landscape photography book. After four of those, I was looking for a new career again ...
I can only describe it as a roller coaster with some wonderful moments and some major disappointments.
Climbing always had to be entirely secondary (well, third or fourth in priority)