In reply to Jon Stewart:
I actually haven't listened to it for years, decades, so I've just played the link I posted. After listening to the first ten minutes, a couple of things occur to me. First, you can hear all sorts in there, from Wagner (inevitably), through Borodin and Debussy to Stravinsky. Second, this score has been hugely mined by film composers, all the way from the early black and white movies to some of the stuff I hear on the films my kids watch, like Rio. This is kinda nice but also kinda a shame; can't work out which I feel the more. It would be great to hear it with ears that hadn't heard any film music, just like it would be interesting to enter a Gainsborough or Breughel landscape and, like them, not hear or have ever heard any petrol-driven machines in the background.