In reply to rsc:
> I agree with your whole first paragraph. But
> Opera North already cover Manchester and struggle with sales there
> Is this right? When I’ve been it was full. And Salford Quays is a less convenient and attractive location than central Manchester (where we’re speculating ENO would be).
My source is a Halle violinist. I really hope I'm/they're wrong. If their tremendous Ring Cycle is representative, Opera North should be selling-out everywhere. You probably know this but sometimes audiences can be inflated by papering the house: giving away tickets free - to NHS staff for example - to get a buzz going for the show.
Cultural organisations can move out of London very successfully - English National Ballet to Birmingham, 5Live to Salford - when the process is thought through, planned, and properly consulted. The ENO decision has none of these. As Richard J says, in time, there could be an audience in the area if they are given the support to build it. There are no signs this will happen. Serota is washing his hands, as chair of ACE he has ultimate responsibility for the shambolic governance of ENO over the last 5 years including hiring a CEO with no arts management experience (who resigned 2 weeks ago, quelle surprise). Starmer is my MP and he's a very competent individual but has little personal interest and is too keen to polish his man-of-the-people credentials to support opera if he gains power.
On a personal note, I'd like to move to the north west and I’d be delighted if there was a thriving ENO in Manchester. I suspect that, sadly, I'll be getting the train down to London for my fix.