The book, published by Vertebrate Publishing , is available from their website. An exclusive extract is here on UKClimbing, and a video portrait of Nick, discussing his life, his book, and also featuring him riding a bicycle quite fast, is here: UKC Video.
I finished the final page, closed the book, wiped a tear from my eye and turned to my computer, ready to make notes. A solitary email sat waiting in my tray, From: Nick Bullock. Subject: Marmite.
Nick had previously described a conversation where writer, journalist and the seemingly go-to person for all things to do with climbing literature - Ed Douglas - had joked that Nick wanted a 'Marmite book' - a love-it or hate-it affair. Consequently I assumed this email would be about Nick's book, and I was a little taken aback at the timing.
I don't like Marmite, and it's not a word I would use to describe Nick's book; a more mellow, steady-paced journey than I had expected, focusing on Bullock's climbing and prison-service life up until the time he left his job as a jailer to pursue climbing more full time, around eight years ago.
This book, an important book, a real book, captures a period in modern British climbing history. Reading Echoes, I felt more than anything else an overwhelming sense of connectedness. The characters on the pages, some of whom I know or knew well (mainly climbers, not inmates, I must add, although there's not much to distinguish between them!), are described honestly and beautifully.
I was moved to tears reading a simple line describing a climb with the late Jules Cartwright.
"You feeling okay?" Jules looked in to my face. At first I thought he was concerned, but then I realised he was just worried I may turn around and climbing would be put on hold.
And I laughed out loud at the plain, ridiculous, yet all too familiar; "My life depended on frozen moss."
I could comment on how, just occasionally, the flow of the book is confusing, how his efforts to snap back and forth between climbing and prison leave the reader in neither place, perhaps mirroring how Bullock himself felt at that time, living neither life, a state of beclouded limbo. But in the main, the writing is captivating, intelligent, gentle, inquisitive. Bullock has moved on from the machine-gun-short-sentences that ripped through his early writing, and thankfully left behind his accidental ability to come across as an 'elitist wanker' and produced a sometimes terrifying and always honest account of his own haphazard journey upwards through life, and downwards, often at high speed, from just about every classic rock climb in the UK.
The pace and the feel of the book lift, just ever-so-slightly, as Bullock finishes introducing his early years, and his first steps in the prison service, and finally gets around to talking about climbing, giving a sense that this - climbing - is what Nick is keenest to share. His description of The Orion Face on Ben Nevis was mouth-wateringly inspirational and saw me reaching for my copy of Cold Climbs, whilst a scene at Stoney Middleton was a classic British trad climbing mishap conveyed in a basic and fun style, and brought light relief amongst the pages of prison violence.
The theme that Bullock explores with this, his first book, is that of being trapped in a life that you don't want to live, but that you also don't want to leave. Of being lost in a world where you don't belong, until finally, you find mountains, friends and salvation.
I have put Echoes on my bookshelf, but there stands next to it a space. What have you been doing these last eight years Nick Bullock? Is life on the road as trapping as life in the prison service? Have you questioned your choices? And not a word on the death of several of your friends, and climbing partners?
And so, on closing this book, I have questions. It seems that although I may not like Marmite, Echoes has left me hungry for more.
Note from the reviewer: Nick Bullock is a personal friend of mine. He has insulted me to my face on many occasions. He has even let me share a bottle of his cheap red wine. I am mentioned in the acknowledgments of his book (along with hundreds of others... one gets the feeling that he's listed as many folk as possible, in order to sell more copies - just like On The Edge used to do, by including all those dreary bouldering league results...). But I have tried my best to be fair and honest, as much as one can, in this review.
Jack Geldard is the Chief Editor of UKClimbing.com. Has has been climbing for eighteen years, from outcrops to big walls, all over the world.
His mountaineering book collection spans several decades, and genres, from guidebooks to mountain fiction.
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