There are far better versions of the Goldberg Variations than the famous one done years ago by Glen Gould. I find the 'bog standard' HMV classics, Maria Tipo, version much more satisfying, for starters.
Just to throw something else similar into the pile: Beethoven's Diabelli Variations. Probably about 300 years ahead of its time, in that we still haven't quite caught up with it.
Main Theme, Man With The Harmonica, Morton, Jill's America, Finale - stunning stuff throughout (you have to get the expensive French re-release, to get the 1min36s 'Morton' - well worth it )
Nooooo you're so wrong, Ive got the Maria Tipo version (on your recommendation thank you) and while I like it a lot and think the transitions are probably better than Gould, I think it lacks the precision of Goulds.
It's strange. I still listen to the Gould quite often. It's so hard to say just why one prefers certain interpretations. With the Beethoven piano sonatas, despite all much more modern, superior recordings, I go back again and again to Barenboim or even Schnabel.
btw I have experienced On Earth As It Is In Heaven (commonly known as "that music from The Mission") performed live by Ennio Morricone and his Orchestra
OK, since you were asking about something truly beautiful, I can think of almost nothing that comes close to the truly gut-churning beauty of the bass arioso in Bach's St John's Passion, 'Betrachte, meine Seile' (Look yonder, O my soul)
In reply to Flicka: Pachelbel's Canon in D does it for me every time. If I'm feeling down, it makes me cry, if I'm feeling good it makes me feel even better!
Another one would be "Forgotten Dreams" by Leroy Anderson
Moving slightly away from white Western music (only slightly, as I presume the Christian influence originates with Western - and probably white - missionaries) - track seven off this http://www.folkways.si.edu/projects_initiatives/indonesian/sampler.html has a real beauty in its simplicity and earnestness.
To my not unpleasant but great surprise, it was used sensitively and effectively at the end of Open Water!
In reply to Flicka: if you look very hard you may be able to find a recording of my angelic self singing Allegri's miserere with leeds parish church choir c.1986
No, sorry, we're talking about extraordinarily beautiful. Another one, that for me nearly enters a supernatural realm ... extremely magic and extraordinary indeed ... in fact, I don't think I've ever heard such a miraculous transition in the whole of music (I've ever listened to), is the Praeludium and Benedictus from Beethoven's Missa Solemnis (the classic Klemperer recording).
Oh I haven't knowingly listened, as in proper LISTENING, to any South American music. Any particularly beautiful recommendations? You've always seemed to exclusively reference European classical music, hence my enquiry.
> (In reply to Blue Straggler)
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> Lol that's what happens with the limit on how long a title can be!
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> I also nominate Elgar's Nimrod for beautiful music.
I've even used that as a soundtrack for a presentation I did for the BMC at the Buxton Conference in c 1992 (I think) rather against my better judgement... my arm was twisted. But it went down predictably well. My point is that there are a lot of equally beautiful or even more beautiful pieces of music that only a minority of people seem to have heard.
Glad you like it, first heard it at the Huddersfield Contemporary music festival a few years back, went there specifically to hear some Steve Reich and came out absolutely stunned by this.
Another (and how could I forget) Mr Stainforths musical contribution to The Shining, particularly the Ligeti. The first time I watched the shining I didn't notice the music, that normally tells me it's been well used and fits the scenario well.
Yes, Music for Strings, Percussion and Celeste. The way I used it through the scene with Jack and Danny in the bedroom (initially against Kubrick's wishes) was I think my best contribution to the film.
In reply to Flicka: I must be an uncultured philistine, but I'd never heard Gabriel's Oboe before now. Just found it on YouTube(!) and it's superb! Thanks for that! The oboe does make a delightful sound though.
In reply to Flicka: Never heard it. However, seeing the thread title did make me think of 'With this love', by Peter Gabriel; both the choral and orchestral versions are wonderful.
It's from his music for The last temptation of Christ.
In reply to Flicka:
Karl Jenkins' 'Requiem. I first heard this whilst working on my bike in the garage, and could do nothing but sit there on the floor and listen until it was finished.
And thanks to my sister, one I only discovered last week: Andrea Bocelli - 'Con Te Partiro'. Has to be the original solo version, youtube.com/watch?v=Qhh8MaRnzMc&
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